Reviewed by Matheus Clorado. Viewed at the Santa Barbara International Film Festival 2020. A METAPHORICAL LOOK AT BONG JOON-HO’S MISE-EN-SCÈNE IN PARASITE Parasite’s first frame presents us with hung socks in the foreground, a window illustrating boundary lines in the midground, and the tar of a busy slum street in the background. This view conveys … Continue reading Parasite (Joon-Ho, 2019): South Korea